Katrina says, “It feels good to be voted by fans and that too in such huge numbers, but I don’t think if you wear a bikini or show skin, you look sexy. I would rather say I’m pretty.”

Katrina is not only the most sexiest woman but also the most searched and downloaded girl on the internet,however since morphing is on a high these days, Katrina is not worried that her pictures might be misused, she says, “I would rather not think about them.”

So do you think the title is apt?or other Indian actresses or Indian citizens deserved it better?

Adhyayan says,”Yes, we’ve moved on from this relationship . I guess this was how long it was meant to last. At this point, I really want to focus on my career and professional commitments. Sustaining a long-distance relationship of this intensity is a tough task.”

Kangana says,”Adhyayan and I had a talk about our relationship and it was his decision to move on. It came as a shock to me. But I guess he has other priorities now, and many options in terms of people to be with. It’s an amicable break-up and I wish him the best.”

A friend of Kangana says,”Kangna who had been shooting for a film in Hyderabad for a long spell, met Adhyayan for dinner recently. The source said, After a calm and mature discussion , they decided to end their relationship mutually. More than Kangna, Adhyayan was keen on a break-up .”

Rumors are it that dad Shekhar Suman was dead against Kangana Ranaut!

Shilpa has moved on from being a model and an actress to a business women who is the co-owner of IPL team Rajasthan Royals, has released her own Yoga DVD and will be releasing her cookbook really soon.

We wish Shilpa Shetty a very very happy birthday and a great year ahead.

A source says, “Karan is fond of both Ranbir and Imran. In fact, he loved their act at an awards function this year. He realised that the two have great personal chemistry that could translate well on the big screen.”

“Also, Ranbir and Imran have been offered numerous projects opposite each other but both have turned most films down. However, when they heard the subject for Karan’s musical, they immediately loved it.”

And apparently K.Jo has Deepika and Sonam in his mind to play the lead opposite Ranbir and Imran.

What say folks? Sounds interesting?

Apparently, for a sequence in the film, Gowarikar is said to have used 80 elephants, 160 horses and 65 camels. The local division of the animal rights organization then sent a notice to him under the Prevention of Cruelty to Animals Act, 1960. Animal rights activist Maneka Gandhi has also joined the group to oppose the shoot.

A source from UTV, which is producing the film, said that it was Gowarikar’s responsibility to take all the necessary permissions. Apparently, UTV had faced similar problems for one scene in Rang De Basanti where Aamir Khan was shown riding a horse. The scene had to be edited finally.

Says Sambhavna Seth, “It’s not just an item song but is related with the story of film, after which the real story of film starts”. This was the first time that she worked with dance director Raju Khan. Sambhavna has also done an item song in the Jackie Shroff and Kashmira Shah starrer film, Aur Pappu Pass Ho Gaya.

California-based screenwriter Rex Weiner told filmmakers in Goa that the small screen could “work to promote its bigger sibling”. Weiner built a scenario where mobile phones would be handed out free-of-cost in the years ahead, provided their users were willing to tune into the promotional content that came together with them.

“You could get Kingfisher phones that sell beer, water and the ‘good times’,” he said, pointing to the possibilities of the small screen being roped in to make money for the entertainment sector if it learnt how to piggyback it.

A team of Indian experts discussed this at a panel meet titled ‘Is the Big Picture the Small Picture?’ ahead of the International Film Festival of India (IFFI) that began here Thursday.

They pondered, with some pessimism, on where the country is headed to in terms of emerging mobile entertainment and what opportunity was available in this space.

“You can’t watch a three-hour movie on a mobile phone,” reminded Pankaj Sethi, Tata Teleservices vice president for value-added services. “Try watching a football match on a mobile handset. It’s a silly kind of activity.”

But more than the format, it was the finances that are proving to be a big headache; in particular, how various players in the market share the pickings.

“Today, less than 5 percent of the revenue (of mobile phones) comes from value-added services. In countries like South Korea, this is 40 percent,” said Bobby Bedi, Confederation of Indian Industry (CII) national entertainment committee chairman and a New Delhi-based producer.

Bedi was particularly critical of the fact that 80 percent of mobile revenues were taken by the telcos (telecom companies), leaving just 20 percent for those putting together the content – producers and story-creators among others.

“Figures are the reverse in other parts of the world. Change is necessary (giving the content people a higher share). Otherwise, the production of high-quality content is not going to happen,” Bedi said.

Pankaj Sethi suggested that IVR (telephone-based interactive voice recordings) could also be successful, and that contests and cricket were shown to work well in India.

“There is a large entity in the country wanting to interact with film stars or their voices,” said Sethi.

Speakers pointed out that doing “original shoots” for the little screen was still not viable “as in this country, the growth in mobile use is coming not from the high-end segment”.

Screenwriter Rex Weiner said the success of YouTube.com could offer possible models.

“People are creating their own entertainment packages and sending it back and forth (in cyberspace) on their own. But who is going to pay for it, I don’t know,” he said.

Indiagames.com CEO Vishal Gondal pointed to the speed with which digital entertainment products could be copied. With the growth of high-end mobile phones, “you and I and everybody in the country is a potential pirate”.

“Only the small percentage that don’t know how to use Bluetooth technology were not prone to such large-scale piracy,” he suggested.

Microsoft’s MSN India executive producer Krishna Prasad said: “If anybody is hit by piracy, it is Microsoft.”

He said India had 45 million Internet users, but pointed out that it was not possible to pay production houses for mobile content.

Content people were also blamed for “undercutting” each other. But some participants at the seminar blamed it on the industry.

One speaker gave an example where he was first offered Rs.5,000 per song made available via mobile, but later told he would be paid only Rs.500.

“If they paid just one paisa per phone per song downloaded per year, it would amount to a payment of Rs.60,000 per song,” said the content person, arguing for a better deal.

“We are trying to find a business model that would work,” said Pankaj Sethi.

“But, I was confident enough as cinema lovers in India are the most intelligent and they still love watching family values, customs and traditions on silver screen,” Barjatya, who is known for making movies based on marriages and Indian values, said.

Overwhelmed with the success of his film, he said “It is simple movie with a one line story that is a journey of a couple from their engagement to marriage”.

Despite the fact that filmmakers these days think that in a movie there is a requirement to have foreign locales, “we just had Nainital as the only outdoor locales,” Barjatya, who made his debut with blockbuster ‘Maine Pyar Kiya’, said.

On the inspiration for ‘Vivah’, he said it is based on a real life story which my father read in a newspaper. The story was about a young boy who married a girl in a hospital where she was admitted due to heavy burn injuries.